Saptapadi (1981)

This thought-provoking drama deals with the transformation of an individual so devoted to (mired in) the concept of rituals, that it takes an act of God for him to realize the true spirit behind the rituals and true meaning of the prayers. Yajulu is a man of great conviction and integrity. According to him rules and customs, that have been passed down generations thus standing the test of the time, are there for a reason and hence are immutable; traditions are trademarks of a culture and customs, its signature. He does not mind losing his daughter for his principles.

He is well into his twilight years which give him even more reason to not mend his ways. In his footsteps follows his Gaurinadha (grandchild from his son), gearing up to be a head priest at the local temple. Yajulu's will prevails over Hema's (grandchild from his daughter) wish and Gauri and Hema end up being married. However, Hema is secretly in love with a flutist, who is not of her caste.

On the first night after their nuptials, Gauri witnesses the goddess Durga Devi in Hema, and walks out of the room completely shaken up. Gaurinadha, being an ardent devotee of the Devi, realizes that his wife is in love with another man, hence she is like a mother to him, nothing more, nothing less. This act of God triggers Yajulu's thought process to seriously question, for the first time in his life, the validity of his position on matters that involve caste, creed and religion, justifying the steps that Yajulu takes one a time, from the first one in trying to understand Hema's real interests till the last one, when he sees her off with her love interest on the boat.