A Okati Adakku (1992)

Story of a man (Prasad) who cannot consummate his marriage until he earns the money he had promised in order to prove his worthiness to his wicked father-in-law (Gopala Rao). Much of the dialogue works with doubleentendre, and the film is remembered mainly for Gopala Rao’s performance. Attacked for obscenity, this was one of Satyanarayana’s early encounters with controversy around sexual explicitness (cf. Alluda Majaaka, 1995).